Ostensibly
congratulating Kirk on a book about restoring screenwriter Dalton Trumbo from
the Hollywood blacklist of the 1950s with a credit on his 1960 movie “Spartacus,”
Maher could not resisting tweaking the 95-year-old actor, “You changed your
name to Kirk Douglas...you couldn’t admit back then that you were Jewish.”
As
usual, Maher misses the point. Kirk Douglas' career was at the heart of a
larger 20th century American story: how the children of refugees from European
cruelty went to Hollywood and, as John Updike put it, "out of immigrant
joy gave a formless land dreams and even a kind of conscience.”
After
World War II and the growing popularity of foreign films had paved the way for
more realism, Issur Danielovitch followed a generation of Jewish studio heads
and writers out there to explode on the screen with the kind of passion and
intensity unseen in pretty-boy Hollywood heroes until then.
The
studios changed his name, of course, and Kirk Douglas became the angry star of
"Champion," "Ace in the Hole," "Young Man With a
Horn" and "Detective Story."
Along
the way, according to his first biographical book, "The Ragman's
Son," Issur-turned-Kirk played his role of sex symbol as avidly off screen
as on.
He
went on to become a producer who finally buried political blacklisting by giving
Trumbo, who had been writing under aliases, credit for the screenplay of
"Spartacus" and continued aging passionately before our eyes for
decades.
Over
the years, our paths crossed a number of times, but what stands out is the time
we were at one of those gatherings where the privileged babble away with no
human connection whatever. To keep the conversation going, I suggested a game:
Name the actor you would want to star in a movie of your life. “As for me,” I
said, nodding at Douglas across the table, “I see Kirk in the part.”
He
smiled the familiar dazzling smile that never quite reaches his eyes, a flash
of the amused anger that fueled his movie-star charm. I smiled back in what I
took to be a moment of shared irony between boys of dirt-poor immigrant parents
being wined, dined and bored by the very rich.
Now
best-known as Michael Douglas’ father and Catherine Zeta-Jones’ father-in-law,
my role model adds another small notch to his belt of moral victories
by using Bill Maher’s favorite two-word exhortation to put him in his place.
Kirk's younger admirers, as always, are grateful.
It's rather sad when common ground between lefties and conservatives is the desire to see Bill Maher put in his place. But hey! I'll take it.
ReplyDeleteBeautifully written post as always (you're the only leftie I read regularly, btw, and not because I'm hoping you'll see that this emperor has no clothes...it's purely for your sublime writing which reminds me of Updike some days and Vonnegut on others, and on others is like fine prose poetry).